A Tide Come May

My dear Scribes,
Today marks the fourth birthday of my blog. I don’t typically ascribe to the sentimentality of anniversaries — it’s only one day, after all (and everyone knows that time is a social construct!). But when I saw the notification this morning, I was temporarily lifted from the fog of my undergraduate life. I ascended from my literary analyses and anthropological articles and was reminded of myself at sixteen years old. I was a sophomore in high school who had accumulated too many poems, and I needed a place to put them. Since then, Stellular Scribe has been a constant writing refuge for me from my over-scheduled life. One day, I hope to settle here more permanently, to share my first, most precious passion more consistently. 
To commemorate four years on the internet, I want to share with you a recent piece I wrote for a fiction workshop, entitled “A Tide Come May.”
Thank you, all, for your support. For your attentive reading. For your inspiration.

Finding the way out to sea too cryogenic in salt, she sunk into the sand at the shore. Here was an exit too vague and cold to cross, where eels of foam avoided her toes and sizzled under the sun. Here was the spoke in the sand and the angled footprints of the fisherman and the silvery dust of mishandled scales. A man too tanned, too thick haired and black eyed, to be mistaken for her father stood knee-deep in the surf and repealed his line from the sea.

The Rooster’s shadow overcast her.

“…already knew about historicist nihilism, but Hegel still changed my life. I feel, huh, like I’ve evolved as a thinker, you know?”

Her inner ear prickled at his voice. Here was the Hawaiian-shirt clad tourist, who, while strolling the beach with idealism under his arm, had spied her reading in the dunes and taken it upon himself to question her taste in literature. He wore a squat hat — a hat that she thought new mothers might stuff over toddler ears. He had told her his name, but all she could remember of the exchange was the way he scratched his sunburnt neck, like a preening rooster. He went on roosting in her sun, following her from the beachgrass to the minefield of broken shells at the bank to where she sat now, blockaded at the water’s edge.

Fly away, she wanted to say. Go find a nice hen to squawk at.

The too-tanned man, who would never have been picked out as her blood against a beach of pale, sunbathing flesh, took pride in his cast. She saw it in the way his eyes longed after the lure whipping into invisibility across the waves. The satisfying latch of the lead sinker, the taut reflection of the line as the reel snapped against his hands — his mechanics exhaled an intertidal joy. She envied that clarity, that sense of belonging in the space between low and high tide.

The Rooster cawed for attention.

You should read Phenomenology of Spirit, if you want something more substantial. I’ll say, though, it’s not exactly a light beach read, ha! You know, when I saw you I thought that not a lot of girls…”

Finally, the water stretched its invisible hands to her feet. She thanked it with her fingers, with her palms filled with wet sand. The Rooster’s own knobby toes slipped under the tide.

“Jesus, that’s cold!” He hopped out of the water’s way.

She blinked at him. “To be honest, Roo—”

“Roger.”

“I’ll be honest.” She cleared her throat. “You have good intentions, I’m sure. Great. The best. So you might not realize —”

That you’re emitting potent stalker vibes and I’ve never in my life cared about Hegel and also I don’t know you.

She didn’t say anything else, because the too-tanned man’s arm locked. His rod bowed. Old ladies wearing floppy sun hats stopped on their waterside stroll to gasp at something in between the waves.

“Realize?” The Rooster cocked his head, and his toddler hat almost slid off the side of his head.

A saline breeze brought her to her feet. “Shark.”

“What?”

She tossed her book up into the dry sand and pointed towards the crowd gathering around the too-tanned man. “Shark!”

***

The too-tanned man, who was her father, would compose poetry to the shark if he knew the right words. But he was the crease in the white collar of America and had been sewn into the silence of masculine pride. He could only express his devotion in the act of drawing, by pooling his strength into removing the shark from his power. Though she did not look like him — she was too sallow in complexion and prone to angularities — she always sensed that she thought like him. Where he did not speak for the shark, he manifested. It was in his intensity on the thrill of the catch, the meditation of extraction, the worship of an ancient aquatic foe. They shared in their longing on the cusp of two worlds.

The Rooster followed her, predictably, to the scene. She left his clucking behind her, uninterested in his inevitable attempts to philosophize a shark.

She splashed out to her father and saw, quite clearly, that Hollywood-hailed triangle of gray. As the clear belly of the wave stretched vertically, a dorsal fin sliced into view. A crowd of Vineyard Vines spokesladies and geriatric men fiddling with their croakies gathered on the side of the earthbound. A man in patriotic swim trunks hollered, “Thas a big boy!”

She imagined it as an invaded moment of privacy, as if all of Middle America had peered through the hospital door to watch the sea, splayed on its back, give thrashing, tearful birth. She wanted to shoo them back into the white enamel corridor, back to their terrestrial existences, and tell them, “Family only, please.”

The Rooster’s voice rose from the sand. “Hey, you should stay back! Sharks have layers of teeth, fifty teeth, sharp as knives. I can remember a time —”

“How is she?” Her voice was a whisper at her father’s side.

“Four feet, brown shark, only a juvenile.” With one hand he shifted his cigar to the corner of his mouth and clamped it between his teeth. With the other hand, he reeled. And reeled. And reeled.

The line sung a high-pitched note in the wind. There was no need to say anything else; she knew what lyrics were being transposed in their thoughts. There was a solemnity that accompanied reeling in a shark. The goal of fishing, as they understood, was to sustain a dinner table, to tie the biblical knot between family and the kingdom of oceanic offerings. The shark did not fulfill that goal; but still they must drag it in, despite its violent desperation, so that they could discharge it.

She was reminded of five years ago when she stood knee-deep in the sea on this same bank with her own skinny pole. Fishing was all there was to do on a May afternoon when the water was too cold to swim in — and she had been praying, just loud enough that she could hear her own words mingle in the grumble of the waves. She prayed to the current that spiraled the bloodworm at the end of her hook, to the curiosity of schools of kingfish, to the enthusiasm of crabs reaching through the murky soup of seaweed for her bait.

It was a self-contained ritual that her father carried out now, mumbling under his breath. Only here was the shark, the antithesis to Christ’s Galilean tilapia, flipping its powerful tail over the break of white water. Here was the sea, weeping to lose her eldest daughter. She joined in her father’s prayer, that they may come quietly. Peacefully.

Of course, the crowd soaked up the drama of the display.

“I didn’t know there were sharks here!” a woman exclaimed.

“That’s it, I’m never going in the water again.”

God forbid there are sharks in the Atlantic.

A stream of sweat slipped parallel to the vein straining in her father’s neck. She knew how it felt — like pulling a sack of bricks by a thread. Soon his arm would go numb; his thumb would blister.

“Now!” he said.

***

She grabbed the line as it slackened and pulled it backwards towards the sand. Like elastic, the waves retracted, offering up the shark. Its skin glistened as the sun, foreign and forceful, seeped into it. Jaw agape, finely pointed teeth lined in its own blood, eyes yellow with liquid terror, gills begging against the air. It swung out its tail like a whip and the crowd took a collective breath.

Her father held out his arm as he sloshed towards the bank. “Stay back. She’s scared.”

“Is that a real shark?” someone asked.

Her father didn’t answer. He knelt beside the creature and pulled a set of pliers out of his pocket.

She staked her knees in the wet sand and placed her palm on the back of the shark’s skull. It felt like suede beholding flexible cartilage as the nerves in its vertebrae fired, retired, and fired again. With her other hand she pinned the tail, and felt its livid life force punch against her bony matter. The shark’s musculature seized and released as it volleyed between twisting out of her grip and resigning to her weight.

The process of removing the hook involved a coordination between her and her father. An exchange, if it were, of poetics. His plier hovered in the space between the shark’s upper and lower rows of teeth as she wrangled the body and splashed water onto its back. The white inner flesh suctioned, the unseen steel bent into submission, a bubble of blood popped in the back of its throat.

The hook emerged as a crumpled thing, and the shark reared its head.

She stroked a line down its dorsal fin, and she marvelled at her distinctness. “Can I…can I take her back?”

Her father wiped his bloody hands off in the sand and nodded. “Be careful with her tail.”

Before the sea could lap around her ankles, she wrapped her arms around the belly of the shark. One hand encircled the base of the caudal fin. She slid its pectoral into the crook of her elbow. Its belly heaved, strangely prickly and cool, against her own, and she had to enclose the heavy-set body within the physical space between her forearms and ribs.

She glanced back at the crowd, suddenly self-conscious of her appearance as an awkward redeemer — but rather than the Messiah cradling his lamb, she teetered to clutch sixty pounds of jagged shark, of anxious, sharp-jawed brawn.

The Rooster was gone. And she found it fitting, somehow, that as she had maneuvered his abstractions she now held tight to a most certain reality, an extraction of that vague, cold sea. A sea too cryogenic for her to know. But this shark, this poetic actor that her father had accepted at the end of his line, could transcend the suspended animation of the water’s surface. Could out-swim the dialectical crud of sea-sand-surf, thesis-antithesis-synthesis.

She turned her back to the lingering spectators and walked out to sea. As shells crunched beneath her feet, she knew that she had to go deeper, further, until she became numb to the cold. Until the intertidal zone was crossed, and the shark could feel again.

© 2018 Stellular Scribe

Writing Kindling #11

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today we have the digital painting “Salar de Uyuni” by fromsky.

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“Salar de Uyuni” by fromsky

Ask yourself: Who are they? Where are they? What are they feeling? What are they about to do? Write about who they are, what situation they are in, and what they will do next. It can be a poem, short story, long fiction, anything — let the kindling commence!

I’d love to hear what you come up with. Feel free to share your writing in the comments!

Music Remembers

Baseem split the cherry between his fingers. Red juice stained the grooves of his thumb and dripped off the end of his fingernail. He rubbed the pads of his fingers together, mashing the berry into a raw, bloody pulp. When he was finished, he flicked the mangled remains off the side of the deck and held his hand up for me to see.

Ya amar, do you hear it?” he asked.

My flute felt cold between my fingers, and I lowered it to my lap. “Hear? Don’t you mean see?

“No, hear. I have wondered if you can hear it too, the way I can. If when you press your lips to your reed and blow you can hear the colors, or at least imagine them before they erupt like spitting embers from your instrument.” He rotated his wrist in front of his face, studying the red seeping down his palm. “When you played the friscalleto, I heard this precise shade. Cherry red. Like the wine we acquired from Donnalucata. Like the poppies that covered the hills beyond the beach. Like the fire that —”

I turned my head away, and I hated myself for the bitterness that glassed my eyes. “I hear no colors, signore. I am afraid that the visual arts are not my area of expertise.”

“Ah, but music is the highest of all visual arts,” Baseem said, his eyes smiling. “You know better than anyone, Ludovica, that music remembers. Music is memory. And what is memory if not visual?” He crossed the deck towards me, taking heavy, deliberate steps with the heels of his boots. “There is an aching in your compositions. A red. A remembrance. You must hear it.”

Mama’s ribbon. Papà’s steamed crab. Cosima’s rosary beads. Orazio’s blood.

I flooded my face of expression.


An excerpt from a work-in-progress.

Should Great Writers Steal?

You’ve probably heard the famous quote “good artists borrow, great artists steal” (commonly attributed to Pablo Picasso, but most likely originating from T.S. Eliot).

Before you sound the alarms, there is a world of difference between creatively copying and blatantly plagiarizing. Plagiarism, at least in the context of writing, is the act of taking another person’s work, word-for-word, and passing it off as one’s own. It is never acceptable, excusable, or, in the simplest of terms, ok.

What I like to call “creatively copying” would probably make more sense if I used the analogy of walking down an art museum hallway. You’re surrounded on all sides by splendidly crafted paintings of every era, of every classical artist. Clearly, these are all masterpieces. Then, just as you think you’ve seen it all, something catches your eye, something that stands out from the rest. For you, it might be the extraordinary pointillism in Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte or that singular, swirling gold moon in Vincent Van Gogh’s The Starry Night.

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You find an element that speaks to you, and from there are inspired to create your own pointillistic piece or painting themed around that luminous, eternal moon.

I believe that the same principle applies to writing.

For example, I first read George R.R. Martin’s A Game of Thrones three years ago. As I read, I kept coming across small, striking descriptions that arrested me with how vividly they popped off the page into my mental image of the story. Every time I found one of these extraordinary wordings I would dog-ear the page, and by the time I got to the middle of the book I realized that there were just too many gems to continue damaging the paper. So I started to write them down.

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This is just a small sample from my collection of descriptions.

What did I do with these phrases? Many remained untouched, isolated from their original sentences in the crumpled pages of my notebook. But I always kept them in the back of my mind, and as I was writing my novel I would suddenly remember the perfect pair of words for the perfect situation. I wouldn’t copy them directly, of course. “A reptile stare” became “a reptilian glare.” “Pale moon face” became “sunken, moon-shaped cheeks.” “Frog-faced” became “frog-like lips.”

I used the same technique for the rest of The Song of Ice and Fire series, and for many other books that stuck with me: Neil Gaiman’s American Gods, Patrick Rothfuss’ The Name of the Wind, Nicola Griffith’s Hild. They were just bite-sized, beautiful phrases, but one by one, they helped me to learn to look for remarkable qualities in simple descriptions.

I’m a firm believer that great writers must be great readers. And, by nature, a writer who reads is a writer who steals.

© 2016 Stellular Scribe

Writing Kindling #7

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today I bring you a list of ten 1-2 sentence writing prompts that will help build up your white blood cells and give writer’s block a good kick in the pants. Copy them, tweak them, consider them, leave them. It’s up to you!


  1. Curiosity carved a nasty scar into her heart.

  2. Shelves covered every bit of the scientist’s walls.

  3. “There are monsters in these elevators,” the receptionist said with an unsettling smile.

  4. He raised his arms to protect his throat.

  5. I was out walking in the frozen swamp when the first boom! sounded.

  6. “That won’t be necessary,” she said, pushing her glasses up her nose.

  7. Certainly he had loved her madly, but none of that mattered anymore.

  8. Her hand was soft and composed of spindly fingers.

  9. The sound of hooves clopping on cobblestones interrupted him.

  10. Firelight danced in her eyes, and the air was warm with singing and laughter.


I’d love to hear what you come up with. Feel free to share your writing in the comments!

Happy writing!:)

Writing Kindling #6

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today we have the painting “Film Noir” by Jeremy Norton.

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Ask yourself: Who is he? Where is he? What is he feeling? Why is he smoking? Who is the person in the background? Write about who he is, what situation he is in, and what he will do next. It can be a poem, short story, long fiction, anything — let the kindling commence!

As a bonus, I’ve compiled a jazzy playlist chock full of gritty, undercover agent, noir music to accompany your writing:

I’d love to hear what you come up with. Feel free to share your writing in the comments!

Writing Kindling #3

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today I bring you a list of ten 1-2 sentence writing prompts that will help build up your white blood cells and give writer’s block a good kick in the pants. Copy them, tweak them, consider them, leave them. It’s up to you!

  1. These memories aren’t mine.

  2. Thick, curling plumes of smoke. That is all I remember.

  3. This time, she was telling the truth.

  4. “Try it; you’ll love it!”

  5. It was silent until it wasn’t.

  6. Obviously, he was going to have to die.

  7. My death was a strange event.

  8. “Because,” she said, as if that lonely word could answer all of my questions.

  9. His face was a mirror of her own horror.

  10. Her fist slammed the desk like a thunderclap.


I’d love to hear what you come up with. Feel free to share your writing in the comments!

Happy writing! 🙂

Writing: Architects and Gardeners

 I think there are two types of writers, the architects and the gardeners.


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The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they’re going to have, where the wires are going to run, what kind of plumbing there’s going to be. They have the whole thing designed and blueprinted out before they even nail the first board up.


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The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don’t know how many branches it’s going to have, they find out as it grows.

 

And I’m much more a gardener than an architect.

 

~ George R.R. Martin

 

Illustrations by © 2016 Stellular Scribe
If you’re interested in my illustrations; get these designs on a t-shirt or as stickers at Redbubble! Thanks. 🙂

The Mythmaker

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The Mythmaker’s hands smelled like the dust that caught in the creeping light of morning. Like fabric and unwashed skin and waking. The fingers of his right hand were braided with veins, veins that popped his knuckles out like knots of wood, worked tough and solid from gripping his pen and dipping his ink a hundred times a day. The fingers of his left hand were cold, always cold, from forever reaching into those shadowy parts of the night.

His hands, that was the first thing you’d notice about him.


He made the moon his mistress
in the fated folds of night.
The stars, they were his courtiers
in the drafting of birthrights.
He read the sky and coaxed her
from the dark into the light.
From them he gathered destinies;
from them he gained his sight.


The Mythmaker was a very old man. In his youth he had seen the stars pop into being like water bugs dimpling still water. He could not remember what was before the stars, but he remembered all that came after. The water bugs stirred and chattered and rippled the dark. When that very first ripple welled, he caught it with the tip of his finger and wore it as a ring. He now had thousands of rings, singing against each other on his fingers, and plenty of room left for more.

He was a little man, with bones built like the body of a flute, hollow and whistling. The millenniums had carved the divot into his nape, sculpted the hunch into his spine. He liked to make boasts of once having black hair, radiant as the unclouded night. But that was so long ago, and his liver-spotted scalp told another story.

His age, that was the second thing you’d notice about him.


Astrologer, they called him —
the man who loved too hard.
A romancer of destiny,
the night sky’s only bard.
But he, he knew the truth of it,
of why he held his guard —
to wean from constellations
their secrets, long since scarred.


The Mythmaker had never left his tower. He had been so high up for so long that the below had become a mystery to him, a myth even feebler than the moon that shimmered at the end of his fingertips. But it made no matter what happened on the ground, for he only ever needed to look up.

He spent his nights reading the stars, tracking dances across the sky, naming clusters and systems, painting patterns that emerged against a backdrop of dust and dark matter. Everything he needed to know about that unknown below, he knew from them. And he wrote it all down, everything, in his book.

An old sun, white and withered, plucked from the night with a sigh. A long, unexceptional life, slipped into death unnoticed. Two stars collide around a void at the heart of the galaxy, and emerge as one. Two families feuded for position, and pulled away joined by their children. The moon wakes red and swollen, slow to cross the night. A soul woke dripping with blood, slow to know her peril.

He wrote down the fates of people that he would never meet, dictated the birth and destruction of nations that he would never see rise or fall. His rings rattled when he dipped his pen into the ink, and his heart fluttered as he wrote their stories. Their stories of salt and stains and shimmery somethings that gleamed in the stars and dripped at the corners of his eyes.

His elbows squeaked against his desk. The scratches of his pen punctuated the silence that hung over the world, the silence that he would whisper fair words into until his voice fissured. And though he loved the night, he loved the stories she gave him more. Stories about treachery and romance and macabre. Stories that swelled and multiplied and rippled, but retreated into the dark as quickly as they came. Stories about a below that he could never touch.

His loneliness, that was the third thing you’d notice about him.


Lady moon, she bore her dark side,
but he, he turned her round,
and leapt to kiss her cratered face
to taste tomorrow bound.
The stars, they shyly winked at him,
but he, he heard the sound
of a future falling from great heights,
a sun crashing to the ground.


The Mythmaker cried out when the book slipped from his fingers. He had lifted it from his desk to catch the moonlight on the blank page, because in that moment he swore to himself that he saw something flicker on the leg of his k, in the loop of his o, across the arch of his h. It was not wind that stole the book from his fingers (for there had never been wind before), nor was it an error of coordination (for he was old, but not unbalanced). No, what spun his book of fates over the edge of the tower was something much more visceral. The fingers of his right hand seized into stone, and then the muscles spasmed and his grip weakened. The fingers of his left hand drained of blood, and then the skin turned white and his hold deadened.

The book hurtled into the void, flapping piteously, like a canary shot between the ribs.

Perhaps it was meant to go like that. As an accident, a freak twitch of thumb, a numbing of palm. Perhaps it was meant to be that the hand that wrote and the hand that reached betrayed him both.

He did not think of that in the seconds it took for the book to become swallowed by the below. He only thought of the million mysteries that breathed and lived and died and decayed down there. He thought of what it would mean for them to have the book, to read the book, to know their fates and the history of everything that ever was or ever would be.

His dread, that was the fourth thing you’d notice about him.


Mythmaker, they called him —
the man who tempted fate.
A philanderer of futures,
a seducer of great stakes.
But he, he knew the truth of it,
of how his dalliances narrate
the crossing of impending stars
in the sealing of soul mates.


The Mythmaker reached after the crumpled canary book with hands that smelled like the dust that caught in the creeping light of morning. Like fabric and unwashed skin and waking.

And he fell.

He thought it funny, how calm he was as he plunged down the neck of the tower, away from the amorous breadth of night, away from his desk and his ink and his solitude, and towards, no less, a land he knew everything about but nothing of what it looked or smelled or tasted like.

He thought it funny, how he had spent his endless existence finding fortunes in the sky and understanding how destiny worked, and still — he had not seen this. He knew that the night kept no secrets and that it always revealed a purpose, though he fell, with his hands first, for nothing.

He thought it petrifying, that his book could touch the ground.

And he fell and he reached, with fingers that sang with a thousand rings.

His hands, that was the last thing you’d notice about him.

© 2016 Stellular Scribe

Image credit: “The Dark Tower: The Long Road” by Michael Whelan

A Steamboat to the Edge of the World

Steamboat by Gustave Le Gray
“Steamboat” by Gustave Le Gray

“God, why’s it so hot?”

“And this wind…it’s sinful!”

“What a perilous expedition we endure!”

It was a rancid day, to be sure. The sun beat upon the three ladies’ bonnets, nipping the tops of their ears and bruising the tips of their noses. Wind whipped their curls about their cheeks, and they joked that they were bound to turn over like tumbleweeds into the sea. They sat in white wicker chairs on the deck of the SS Sophronia, with cocktails in hand and gossip in mouth, their talk fluxing from complaints of the weather to devious fits of giggles. Behind each stood an attendant extending a parasol, and a lone fiddler scraped away at his instrument before them. Constance claimed that it was the perfect tune for wine, winking, and journeying to the edge of the world.

“Did you expect the weather to be so harsh?” Clementine asked.

Cordelia snorted. “When Martha — that incompetent cow — made the trip, she had nothing but praise for the climate. ‘Mild skies and still water, and then the drop was but a dream…’  Please!”

“Oh, but I’m certain that once we get to the edge it’ll be much nicer,” Constance said. She pointed to a line in her pamphlet. “See, it says here that upon arrival, the tourist will ‘be wrapped in a balmy breeze and pleasant aroma as the insignificance of his puny existence is thrust upon him.’ I think that sounds quite agreeable.”

Cordelia plucked a deviled egg from the platter in her attendant’s hand and popped it between her lips. “It’s common knowledge that Martha’s a filthy liar,” she said between mouthfuls,  “but I’m still determined to have a better time than she.”

“I’m sure we all will, dear,” Constance said, and she rested her pamphlet in her lap.

The SS Sophronia chugged along, belching mushrooms of smoke into the sky. She was a fine steamboat, all polished wood and bright paint, with a hardy paddle that scooped up the sea. And what a restless sea it was — for as the wind blew stronger, the waves peaked higher and the deck dipped lower. The fiddler’s bow skittered across his strings with each dip, and one attendant’s grip on his tray suffered such shakiness that the Arab salad was tossed across the deck. The ladies were too astir with excitement to notice.

A serious look folded into the lines of Clementine’s brow. “Suppose we fall off?”

Cordelia examined her nail bed. “Off what, dear?”

“Well, the edge.”

“Nonsense. This is a civilized affair, an elite destination. I’m sure they’ve set up ropes.”

Clementine didn’t seem so certain. “But I’ve heard of ships that get too close, and then the water sweeps them into the void, never to be seen again. What if we’re swallowed by oblivion?”

Pish,” Cordelia said with a flick of her gloved hand. “That’s just the common crop, poppet. We are on a luxury steamboat, with luxury service. We’ve paid good money to see the end of the world, not be sucked into it.”

“Just wait, it’ll be grand,” Constance said, and she once again quoted from her pamphlet. “‘At the edge, the visitor will be offered a pair of binoculars so that he can peer into the nothingness and search for meaning. Complimentary drinks will be served as atmospheric music is played.’”

“Oh, that does sound grand,” Clementine said, a smile perching upon her lips.

“Not if this horrid heat doesn’t let up!” Cordelia snapped her fingers forcefully and turned to her attendant. “You! Manservant! Raise and shade; you’re shaking about something dreadful!”

“Apologies, ma’am,” the man mumbled, and he lifted the parasol higher.

The swollen sun dangled low over the smokestacks of the boat, growing more bloated with each passing minute. But through all the wind and the heat and the rocking, the ladies still talked both small and large. Eventually, the fiddler’s bow was snatched from his hand by the wind, and he rushed into the cabin for a new instrument.

Constance gripped the laces of her bonnet as the wind howled about her neck. “Think of it, ladies! Many a scholar has travelled to the edge to question his greater purpose, to search for a god looming in the black! And us — we are to be one of those great seekers of truth!”

“Yes, but do you think we’ll be able to take home a souvenir?” Clementine asked.

The olive in Cordelia’s cocktail rattled against the glass. “Lord, we had better!” she exclaimed. “Else I will have nothing to shove in Martha’s insufferable face.”

Constance’s laugh was gobbled up by the roar of the waves. “But honestly! What a quest we’ve undertaken!”

“Really, I just wanted to see what all the fuss was about,” Cordelia said with a shrug.

Clementine clasped her hands in her lap. “I do hope I can bring home something.”

It was another tumultuous half hour before the ladies realized that the horizon was drawing closer and closer. “We are fast approaching!” Clementine squealed. “How dramatic!” was Constance’s reaction. Cordelia even tutted a “well, well.”

Then they were upon it.

Somewhere in the unimaginable deep, far beneath the steamboat and far beneath the quaking sea, a beast growled. Their bones shook. Their teeth rattled. It was a thunder that melted their very marrow — the sound of an ocean throwing itself off the edge of the world. They saw a waterfall, but a waterfall that fell into nothingness.

The sunburnt sky filtered off into streaks of orange and smoke and obscurity. What unfolded before them, past the edge of the spilling sea — well, the girls could not put words to it. It was expansive yet singular, empty yet somehow aware. They would need to get a more magnified look before they could ponder ‘the insignificance of their puny existences’.

The steamboat’s engine shuddered to a halt just before the bow could slide off the rushing edge. Indeed, there were ropes of red velvet that stretched across the brink for as far as the eye could see. A bell clanged from the mast, and the ladies were ushered to their feet by the attendants. As they were served champagne and caviar on toast, the fiddler returned with a new bow and the captain emerged from his cabin to ask them how they had fared the journey. They chatted for a bit over the rumble of the falls, commenting on the majesty of the oblivion that stretched before them. “Now, I’ll let you get to your sightseeing,” the captain finally said, and he left them on the deck with a pair of binoculars. The ladies handed their glasses to the attendants, and turned eagerly to look over the edge. Clementine was the first to lean over the railing and press the binoculars to her eyes.

“Oh, God!” she soon cried.

“Darling, what do you see?” Cordelia asked.

The poor girl stuttered. “Th-there’s…there’s…nothing!”

“Nothing?” Constance squinted into the void. “That can’t be right. Define nothing.”

“Oh, there’s nothing! Nothing at all! It’s all empty!”

“Give me that,” Cordelia said sharply. She snatched the binoculars from Clementine’s fingers and pressed the eyecups to her sockets.

Constance rested a hand on her shoulder. “What is it really?”

“Why don’t you believe me?” Clementine wept. She shook her head, back and forth, up and down, thrashing violently. “There’s nothing out there, there’s no purpose, nothing exists —”

“Have some propriety, girl!” Cordelia said with a huff. “I see…now wait a minute…I see…well, it’s almost like a glass, like a large mirror. And there’s me…and there you are, Constance, and Clementine too, and…” Her voice darkened. “…and Martha — the loathsome goat — and my mother and uncle and the estate and everyone! Everything! I see everything, our world, reflected and renewed!” She brought the binoculars down, revealing an agape mouth.

“That’s silly!” Constance said. “You can’t see everything the same as it is here. Likewise you can’t see nothing!”

Cordelia turned a taut expression on Constance. “Then do tell me, dear, since you’re so educated on the matter: what is one meant to see when she peers off the edge of the world? For I tell you, I see everything!”

“Mercy, mercy! There’s nothing!” came Clementine’s cry.

“It’s obvious, isn’t it?” Constance said over the younger girl’s hysterics. “You’re supposed to find meaning, to see the truth. Your mind is to be enlightened! And everything can’t be meaningful, and nothing can’t have purpose!”

Cordelia sniffed the air, and handed off the binoculars to Constance. “By all means, search for your truth. Enlighten your mind. I eagerly await your insight.”

“I shall!” Constance said, and she glared into the lenses.

The SS Sophronia buckled beneath their feet, and off towards the stern, Clementine could be heard moaning as she slid across the deck. Cordelia and Constance gripped hard to the railing, but the three attendants and fiddler tumbled to their knees, champagne glasses shattering and fiddle strings snapping.

“I’m waiting, dear!” Cordelia shouted over the turbulence. “What is your scholarly conjecture?”

Constance frowned into the binoculars. “I — I can’t see clearly…”

NOOOOOOTHIIIIIING….!” Clementine’s wail was made distorted by the wind.

“Isn’t that rich!” Cordelia’s bonnet ripped from her hair and spiraled over the edge, but she paid it no mind. “You — you who have all the answers — you can’t even understand what lies before your own eyes!”

Constance flung her arms wide, and the binoculars went sailing into the abyss. “And you!  You see everything as you want to see it, because you’re soft of mind and vain of heart. You see yourself and your affluence, and it has no meaning, but you relish in it!”

“Better to relish in what I know than to shriek at the prospect of nothing!”

“How dare you drag Clementine into this! She’s simple!”

Ma’am.” Constance felt a hand grapple her ankle. She looked down from her outrage to see that one of the attendants had crawled across the slick deck to her. “Ma’am, we must turn back now,” he gasped out. “Captain’s orders. If you please, come under the awning now, ma’am.”

Cordelia heaved a sigh. “Oh, if we must.”

“Thank you, good sir,” Constance said curtly. She stepped over him, and Cordelia followed. “Come Clementine!” she called across to the stern.

It took a while for the attendants to procure new chairs (for the old wicker ones had been swept off the deck into the sea), but soon the three ladies were sitting again, and the steamboat’s engine purred to life. The horizon lagged further and further away, and so did the girls’ spirits.

“I didn’t even get a souvenir,” Clementine pouted.

Cordelia downed the contents of her glass in one shot, and grimaced. “Martha will be pleased, I’m sure. I can hear her petulant voice already. ‘Oh, Cordie, it’s a shame that you didn’t bring back a piece of nothing.’ Or is it…everything?” She shuddered.

Constance stared blankly into her wrinkled pamphlet. “Oh look. There’s to be a reception afterwards. Tea and biscuits with the captain. How grand.”

Clementine blinked up into the sky. “God, why’s it so hot?”

© 2016 Stellular Scribe