The Art of Bleeding Words

hemingway typewriterSometimes, writers get so caught up in the three Ps of prose (prepping, plotting, and plumping)* that they use outlines and character sheets and thesauruses as crutches for creativity. Don’t get me wrong — I’ll be the first to advocate for a little outside assistance when it comes to laying out your story and sparking inspiration. It’s good to do research, to have resources on hand, to feel confident in what you write.

But often, the best way to write free from reservations is to just go for it without fearing run-on sentences or flat adjectives or continuity. I think Ernest Hemingway said it best:

There is nothing to writing. All you do is sit down at a typewriter and bleed.

In less eloquent terms: spew out word vomit.

Find a comfortable space. Listen to some music or hone into the natural noise around you. Take a deep breath. Ready your typewriter (or writing hand or laptop or other device). And write. Don’t look at a thesaurus. Don’t go googling every little thing that pops in your head. Trust your instincts, and write.

You should never write to fill space. Write to fill your thoughts.


*prepping — worldbuilding, character development, establishing setting
  plotting — outlining, structuring of rising and falling events
  plumping — syntax, description, and other word magic.


© 2016 Stellular Scribe
If you’re interested in my illustrations; get this design on a t-shirt or other product at Redbubble! Thanks.:)

Writing Kindling #5

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today we have Francois Schuiten’s depiction of “Pélléas et Mélisande.”

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Ask yourself: Who is she? Where is she going? What is she feeling? Write about who she is, what situation she is in, and what she will do next. It can be a poem, short story, long fiction, anything — let the kindling commence!

I’d love to hear what you come up with. Feel free to share your writing in the comments!

Writing Kindling #4

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today, we have a painting by Randis Albion called “Deep Diver.”13a0d68eb7d6ae145efad58e76e5d6a0

Ask yourself: Who is he? Where is he? What is he doing? What is she feeling? Write about who he is, what situation he is in, and what he will do next. It can be a poem, short story, long fiction, anything — let the kindling commence!

I’d love to hear what you come up with. Feel free to share your writing in the comments!

Writing Kindling #3

Writer’s block may seem like a terminal illness, but sometimes the smallest of sparks can “kindle” your craft. Today I bring you a list of ten 1-2 sentence writing prompts that will help build up your white blood cells and give writer’s block a good kick in the pants. Copy them, tweak them, consider them, leave them. It’s up to you!

  1. These memories aren’t mine.

  2. Thick, curling plumes of smoke. That is all I remember.

  3. This time, she was telling the truth.

  4. “Try it; you’ll love it!”

  5. It was silent until it wasn’t.

  6. Obviously, he was going to have to die.

  7. My death was a strange event.

  8. “Because,” she said, as if that lonely word could answer all of my questions.

  9. His face was a mirror of her own horror.

  10. Her fist slammed the desk like a thunderclap.


I’d love to hear what you come up with. Feel free to share your writing in the comments!

Happy writing! 🙂

If Writing Is Selfish, Then I Am Scrooge

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I’m sure by now most writers have heard the worn-thin saying that anyone who puts pen to paper is a selfish creature. It was George Orwell who said:

All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery. Writing a book is a long, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven by some demon whom one can neither resist nor understand.

I suppose that when I first read Orwell’s “Why I Write,” I was reluctant to attach myself to any of those harsh adjectives. I wasn’t vain. I certainly wasn’t selfish. Heck, I was the neurotic opposite of lazy. Writing wasn’t a struggle; it was a pleasure. I was, as far as I knew, devoid of demons.

When I think back on it, when I first absorbed Orwell’s long-echoed advice (or rather, observations), I wasn’t doing much writing myself. I said I was a writer, and I loved writing — but I hadn’t yet attached myself to a project I was passionate about or truly committed my free time to improving my craft. When I started to write more and actually develop characters and worlds and plot lines that I cared about, that quote meant something completely different to me.

Writing was a selfish act, I realized. I was selfish. I was the Scrooge of my own, blocked-off world, a world that I thought worth investing precious time into.

When we write, we pour our hearts into something that, at first, only exists to us. By simply believing that what we write matters, we indulge in egotism. When we write for ourselves, we are self-indulgent. When we write for others, we are vain. When we are vain, we run the risk of creating self-inserts — and after all, aren’t self-inserts selfish?

At first, it was an unsettling notion.

But then I thought about what the word “selfish” actually meant, and it didn’t seem so callous and narrow-minded. Merriam-Webster defines it as

concerned excessively or exclusively with oneself :  seeking or concentrating on one’s own advantage, pleasure, or well-being without regard for others.

Isn’t it a good thing to care about yourself? Isn’t seeking to improve your mind and pursue your passions what you should always be doing? Writing “without regard for others” might seem harsh, but really, all it means is to do what you want without worrying about what others think. Write the story that you want to write, not the one that you think will sell or be critically acclaimed.

I, for one, am proud to be a Scrooge if it means doing what I love unapologetically. 

 © 2016 Stellular Scribe
If you’re interested in my illustrations; get this design on a t-shirt or other product at Redbubble! Thanks. 🙂

 

Writing Kindling #2

Three times a week I will post a picture, video, song, or sentence to “kindle” your creative writing! Today, we have the photo “High Tide” by Kiara Rose.
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Ask yourself: Who is she? What is she? How did she get there? What is she feeling? Write about who she is, what situation she is in, and what she will do next. It can be a poem, short story, long fiction, anything — let the kindling commence!

I’d love to hear what you come up with. Feel free to share your writing in the comments!

Writing Kindling #1

Three times a week I will post a picture, video, song, or sentence to “kindle” your creative writing! To kick off, we have an illustration by the late American painter, Coby Whitmore.

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Coby Whitmore

Ask yourself: What is she looking at? Why is she hiding behind the curtain? What’s going on in her head? What sort of expression is she wearing? Write about who she is, what situation she is in, and what she will do next. It can be a poem, short story, long fiction, anything — let the kindling commence!

I’d love to hear what you come up with. Feel free to share your writing in the comments!

Writing: The Early Bird

ideas wake me

I feel like we hear a lot about the writer who works into the dead of night, scraping out word after sleep-deprived word until the morning light creeps through her window.

Don’t get me wrong, I’m guilty of the stereotype. It is currently 1 a.m. as I am writing this and I haven’t even eaten dinner yet.

But I think there’s a lot to be said for the proactive early bird, who wakes ready to write. I think — and this is shocking, coming from me, the ultimate night owl — that they might actually have a brilliant thing going for them.

I don’t need an alarm clock. My ideas wake me.
— Ray Bradbury

I am an incredibly unpleasant person in the morning, so of course it was a good idea for me to try out this waking-up-at-a-reasonable-hour-and-actually-being-productive thing. Yeah…maybe not. The first day I snoozed through the alarm and had barely enough time to get myself ready for school, let alone make time to write. The second day was the same. And the third. And the fourth. And the — you know what? Let’s just skip ahead a week.

Finally, finally, I forced myself out of bed at the bright and beautiful hour of 5 a.m. On a Saturday. Ugh.

I had a plan that I was determined to stick with. No coffee. No food. No checking my phone. No email or social media. No distracting, click-bait websites. No leaving my room. And absolutely no rolling back into bed.

That last one was the toughest.

I moved to my desk, drank the glass of water I had placed there the night before, and opened my notebook. That’s right; I went at it the old-fashioned way. Ol’ pen to paper, the hearty handwritten word. At first I found it foreign, trying to process my waking thoughts onto a physical page.

I wrote random thoughts, micro observations, pieces of half-remembered dreams and broken poems. Honestly, it felt like word vomit.

But then I settled into something tangible, an almost-narrative that was unlike anything I had written at night. I can’t even describe what made it distinctive. It just felt different.

I felt clear-headed, my words felt clean-cut, my writing felt straightforward and on task. I still had the dark blanket of night to block out any unwanted senses, but I also had the unhindered mind of someone who had just gotten her full eight hours and was ready to seize the day.

There’s something about waking up and writing without letting the stress of the day sink in yet that makes you hyper-aware of your thoughts. You become conscientious of what you have not yet started, thorough with what you have already begun. When you write at night, the day’s strain has already piled on top of you, and you write with it bearing on your back. And while this can allow for incredibly creative, inspired, and meaningful works, it’s not the same as waking and writing with nothing but the raw, original word.

So, what have I learned from this? Will I change my night-writing ways? Eh…probably not. I mean, the time’s now 1:30 a.m. — so there goes that prospect. But I do think everyone should at least give it a try, and I want to carry with me the concept of waking up with ideas rather than irritabilities. I enjoyed this little experiment. And now I’m going to sleep.

© 2016 Stellular Scribe
If you’re interested in my illustrations; get this design on a t-shirt or another product at Redbubble! Thanks. 🙂

Writing: Architects and Gardeners

 I think there are two types of writers, the architects and the gardeners.


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The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they’re going to have, where the wires are going to run, what kind of plumbing there’s going to be. They have the whole thing designed and blueprinted out before they even nail the first board up.


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The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don’t know how many branches it’s going to have, they find out as it grows.

 

And I’m much more a gardener than an architect.

 

~ George R.R. Martin

 

Illustrations by © 2016 Stellular Scribe
If you’re interested in my illustrations; get these designs on a t-shirt or as stickers at Redbubble! Thanks. 🙂

Music Mondays: Part IX

Just as important as establishing voice is setting up the atmosphere that you want to immerse your readers in. Tone, or the author’s attitude reflected in the writing, and mood, or the feelings the reader experiences, are often tell-tale signs of strong writing when pulled off successfully. So how do you, the writer, translate something as abstract as “atmosphere” into a piece of writing for your reader?

The answer: immerse yourself first.

Of course, the art of immersing can be accomplished in many ways, but today I have two music playlists that are chock full of dreamy drones, ambient tunes, and blissful background melodies to lose yourself in.


For razor winds, frost-bitten noses, warm bowls of stew, and bristling pines. This mix is an atmospheric gold mine of faraway instrumentals that will transport you to the peak of a sleepy mountain.


For dried flower petals, strong coffee, airy breezes, and old books. This classical guitar mix is perfect for sitting in a sunny patch and putting pen to page to conjure up sweet, summery stories.


As always, if anyone is interested in these playlists and wants to know the full track list, leave a comment and I’ll let you know.

Happy writing! 🙂