Writing Playlists Part III

Salutations, fellow scribes!

I have been a bit inactive as of late (I know, I’m horrible), so to make up for it I’ve come up with Part III of my favorite writing playlists!

felicia day yay

Here are 4 playlists to stir your inner inklings and get the creative juices flowing!

“Fiction is the truth inside the lie.”
― Stephen King.

“Long was the way that fate them bore,
O’er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless.”
― J.R.R. Tolkien, The Lord of the Rings

Untied by time’s touch,
sun and stone and sky and sea
become kin to me.

Here the mountains sing
softly, like a brother’s hymn-
humming, I listen.

I watch life unfold
from my seat up in the stars,
distant, but not far.

“There is no greater agony than bearing an untold story inside you.”
― Maya Angelou, I Know Why the Caged Bird Sings

Happy Writing! 🙂

Confidence is a timid creature — an original poem

__confidence___by_A_T_I_S (1)
“-confidence-” by A-T-I-S

Confidence is a timid creature.

She hibernates through simple’s hide,
but come spring stirs not a single stride,
for who can coax her from her cave
when dark depths does confidence crave?

She shies from bright, she shivers in change,
the winds of night are rampant with strange —
and who can bare to disturb her sleep
when confidence contends her weep?

But call her name and comb her hair
and confidence’ll kindle her prayer,
for what creature would lie in shade
when danger’s vices can be staid?

Timid is dear confidence,
be careful not to give offense
when of her skills you do commence —
for confidence lacks common sense.

© 2014 Stellular Scribe

Explain- an original poem

"Fear of The Unknown" by Muhammed Ilham
Fear of The Unknown” by Muhammed Ilham

He seems afraid of what he can’t explain,
of spirit and color he has been drained,
like a bow bound to snap ‘neath arrow’s strain,
maybe it’s the truth or maybe it’s pain
that wracks and reaps him of blood in his veins–
for the unknown, you know, can’t be contained,
and sometimes its shadows are hardly sane,
and then there’s the question on what’s humane–
for how can we gauge the blackened and stained
when from our eyes the pure truth’s been abstained;
sure, you can toss windward all things mundane,
sharpen esteem so confidence can be feigned,
but in the end despair is still maintained…
because he’s afraid of what he can’t explain.

© 2014 Stellular Scribe

With Winter In Heart- an original poem

"Pray" by Wang Ling
Pray” by Wang Ling

Here at the end of this smoke-strung land,
where the wind drags its teeth ‘cross my skin,
my grasp on reality numbs in my hands
as the blighting hoarfrost buries in.

Cold is custom at the end of the world,
and betwixt my blue fingers I warm,
a bloodstone, a sunstone, polished and pearled,
to thaw off the sleet and the storm.

I dream of a fire at the end of the night
that’ll soften the ice in my marrow;
I dream of a love shed in sweet silver light,
who’ll return to me from the barrow.

Here at the end of this bitter white land
I search through endless freeze for the dawn;
I cannot reclaim the warmth in my hands,
so with winter in heart, I march on.

© 2014 Stellular Scribe

A Bittersweet Color- an original poem

a bittersweet
color
red is

the shade of passion
deep and drawn out as a kiss
yet fiery as the glint in your eye
the untold breath of innocence
sweet as a summer rose
and studded in thorns and sties
red as love
red as sin
red as want
red as warmth
a blush a beam a scar a slash
a goblet of wine
a brutal blood bath
a graze a grin a grief a gash
flames and fear and fondness and famine
and wanting to possess and living for desire
and gentle dear darlings and funeral pyres
and hate and healing and fury and feeling
and singing
and crying
and
living
and
dying
and

red
is
a
bittersweet
color

Silence- an original poem

It’s the silence that wakes me in the end.

The wind’s final gasp as it gives way to hush,
the thunder’s last groan as it shakes from the sky,
the rain’s waning beat at the end of the flush,
the fire’s closing streak as it lights its goodbye.

The absence of noise is my nudge into waking,
the alarm of my slumber garners no cruel beeps,
for in the pith of the storm’s cracking and quaking
is the only night hour in which I can sleep.

Writing Playlists Part II

Greetings, fellow scribes!

I’ve been rather sucked dry of time lately, so I don’t have any poem/short story to post today. Instead, I’ve created some writing playlists that always help me power through a bout of writer’s block. See Part I for some more great tracks to rev the imagination.



“Perhaps home is not a place but simply an irrevocable condition.”
― James Baldwin, Giovanni’s Room.


An hour of delightful, little and well known Studio Ghibli music.


“War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend.”
― J.R.R. Tolkien, The Two Towers


“It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.”
― J.R.R. Tolkien, The Lord of the Rings


 

Happy writing! 🙂

 

Pride and Pain

One good thing about music, when it hits you, you feel no pain.

-Bob Marley, Trench Town Rock

Haha.

Very funny.

Mr. Marley, I’m sure that you intended this sentiment to be digested in the loosest sense: that listening to music is essentially listening to emotion, and that emotion cancels out all other pain. And in my heart of hearts, I hear you. I’ve been a musician since my guppy years, playing the flute, the piano, the piccolo, the guitar (I tried my throat at singing once: never again).

But no pain? The absence of pain, you say?

Haha.

Very funny.

Allow me to drag you back exactly one year, to a full house and the hum of Mozart. Mr. Darcy and Miss Bennet warble across the stage to each other their chemical angst, sweating under layers of period clothing and the glare of fluorescent spotlights. I sit behind the first violinist in the pit, my fingers clammy against the keys of my instrument and ears ringing from the piano behind my head.

It’s halfway through the first act of Pride and Prejudice the opera, and I begin to see spots. As the sole flautist in the orchestra, I’m responsible for carrying quite a number of the themes (my favorite of which is Mr. Wickham’s- such a dashing and demanding tune!) A binder stuffed with twenty plus pages of sheet music lies open on my stand, twenty plus pages that I only had a few weeks to perfect- no, not perfect- stumble through. The days leading up to opening night were stuffed from morning till evening with constant rehearsing, tunings, and timings. And now here I am, halfway through Act 1, and I begin to see spots.

For a bit of background info: these ‘spots’ are telltale signs that a brutal and debilitating migraine will ensue. Also called a migraine with aura, it is characterized by visual symptoms such as blind spots or scotomas, blindness in half of your visual field or in both eyes, flashing, zigzag, and prickling lights/patterns, or straight up hallucinations. They can last from five to twenty to forty minutes. And they suck.

I managed to squint my eyes through the next song, but by the time it got to Wickham’s solo, my vision could be classified as legally blind. Every huff into my flute was daggers in my temple, and I had to rely on my memory to hit the right notes at the right time. When I didn’t have to play, I sat bent over with my head in my hands, which I’m sure the conductor didn’t appreciate. I flubbed my way though till intermission, and then bolted from my seat to the backstage, where I sat in a dark room and drank three bottles of water, all the while feeling like puking and ripping my eyes out of their sockets.

Migraines can be initiated by stress, anxiety, light, sound, temperature, food- and now that I think about it, I’m sure that they all applied to me. I was stressed (having only a few weeks to learn the music and not much sleep the night before), I was anxious (it was opening night and a full house, and I was the only flutist), there were bright white lights in my face throughout the performance, the piano behind me was thundering and the violins beside me were screeching, it was uncommonly warm in the pit, and I hadn’t had anything to eat that day.

I’ve come across several studies in which the researchers claim that musical performance can ease migraines; but I call hogwash on that. It. Was. Awful. 

Just imagine a horse with rusty daggers for hooves kicking you in the head, and then maybe you’ll get the picture. Ur…or lack of picture, seeing as I had lost the ability to open my eyes.

I remember releasing the last note in the finale, and feeling an overwhelming rush of relief intermingled with agony. The next day, I slept for fifteen hours straight.

So you see, Mr. Marley- music can cause pain.


I’ve sort of dropped off the radar for the past week, mostly due to an overwhelming load of work. I wanted to try to get back on the horse though, so here’s a speedy memoir.

Just Same- an original poem

compartmentalized
pretty little brown boxes
straight walls and shallow stalls
same in shape
in style
in signature
just same

each brimming with diversities
trimmed into awkward unity
cardboard clipped by shears
rusty yet precise
angled and even
down to the last corner
same in fit
in mold
in make
just same

you sit here
and you stand there
no
get away
your box is over here
that’s right
good
now hold your chin high
arms tucked in tight
don’t let your elbows fly
same in stance
in structure
that’s right
just same