He is a Boy in Mourning — an original poem

He’s a boy with a ball and a compliance in his eyes.

Youth, it seems, is wasted on the young.
Here we have a boy with a ball, and a plaid sweater, and a compliance in his eyes.
He is young, his face round and doughy, his hair curly, his fingers sausagey.
But he is not young.

There is a compliance in his eyes.

Youth, it seems, is not wasted on the young but stolen by the old.
Here we have a boy in mourning and he doesn’t know it.
His elders do not know it.
For they are the ones who dressed him in that plaid sweater and placed a ball in his arms and told him to stand.
He is staring at them with a compliance in his eyes, and a passiveness on his lips, and a naivety under his chin.

He is not playing, he is posing, with a ball in his hands and a plaid sweater on his arms and a compliance in his eyes.

He is a boy in mourning, and I mourn for him.

© 2015 Stellular Scribe

ritual — an original poem

turning, writhing
not constricting, but inhabiting, assuming
a serpent, orange as the early sun
a woman, pale as the withered toes of a corpse
her face, her expression
poised and pursed
with eyes that see everything and nothing
hair stricken by electricity, turned to straw
sprouting from her scalp
she seems vaguely disappointed with the serpent
that coils her neck, her wrists, her waist
tribal, territorial, dominant
it does not faze her
she is performing a ritual, one that she’s acted out
a hundred times now, and it’s dragging custom to her
now
her brow, arched on stilts, thin and fast as a
runner, a dark, demanding frame to her eyes, her
eyes that see everything and nothing
I feel upset, angry, confused at the woman
why must she go on not caring?
she is the most powerful, steely-faced woman in the
room, she adorns a snake, she commands her art,
and she doesn’t care

© 2015 Stellular Scribe

A Secret Room

More than a lot had changed, I guess. As kids, the two of us used to climb up to the Roost and play with her dolls and stare out on the Cove, making up wild tales about what foul beasties lived beyond the sea. She always swore that there were others like us, other lost children looking for a way across that dark, watery infinity. I always swore that there were sea dragons and ghost pirates and slinky mermaids, but I guess that just went to show the difference between her and me. Her and her hopes and me and my magic. Back then, we could walk around in the Roost without risk of denting our heads on the ceiling. I guess you could say it was a short time, in more ways than one.

My earliest memory of her, actually, was when she yanked me aside after dinner one night and hissed through her teeth that she wanted to show me her “secret room.” A place no one knew of but her. A place where she could spy down on the courtyard and laugh at the smith when he dropped the ingots on his toes and dream of fantastical lands beyond the gray skies of this boulder . “But you can come up, if you want,” she had said to me. “You just have to promise not to tell my brother or any of his brutish friends. They’d just spoil it.” I promised. Of course the others would find a way to ruin the room, to make it not ours. I promised and it became ours. She called it “the Roost” because up there, she said, “I’m an eagle who flies above everyone, and if any one bothers me, I can swoop down and carry them off over the sea, where the serpents will gobble them up!” And I guess she was an eagle, and I was a hawk, and there was something simultaneously freeing and confining about looking out of a window onto the world that no one else could see. And she knew that. And I knew that. But she insisted that there were others like us out there, and I only talked of monsters.

I guess that said something about us.

I guess I should’ve known.


Just a quick writing exercise to motivate inspiration for my novel. I tried to reach into a character’s mind for a memory and then tell it from their point of view. Which was both a challenge and interesting insight to the character’s motivations, considering that I usually write in third person limited.

Happy writing!

Oh Rose

Oh Rose, will you wake from your slumber?
Oh Rose, will you climb from the dirt?
There are shadows approaching;
they darken the sun —
Oh Rose, find your root, take the world.

Oh Rose, do you know they are praying?
Oh Rose, they are crying for you!
Their hearts, how they’ve blackened,
so they tend your soil —
Oh Rose, spread your petals, pursue.

Oh Rose, what is it that you’ve done?
Oh Rose, there is blood on your hands!
You choked from the earth
the spirits sheltered  —
Oh Rose, steel your stem and withstand.

Oh Rose, have you heard the people talking?
Oh Rose, they condemn you for dead!
Your thorns have grown long
and strangled the land —
Oh Rose, they’re coming, duck your head.

Oh Rose, you must go into hiding.
Oh Rose, you must strike from the dark.
The shadows are creeping,
their souls restless now.
Oh Rose, you must free them, embark! 

© 2015 Stellular Scribe

Romanticize vs. Ostracize: Perceptions of Mental Illness

The following two poems are written from the perspective of someone who doesn’t understand mental illness. In no way are these my views; I just wanted to expose the harmful perceptions of depression that far too many people hold — the romanticization of mental illness, and the complete disregard for it.


she sees the world for what it is
drawn
in smiles
across her skin

in black she feels
and the red she steals
for the colors smudged against the glass
form wilting words that can’t express
the beast that lives within us all
the beast for which she bends her neck

and only she
can see
it rise

a shadow looming over the jar

claws raking
‘cross the
sloping walls
heart racing
as it
roars for more

there’s beauty in her loneliness
there’s art within her fear

she paints it
low and gentle
while inside
she wracks and rears

upon her lips there lives a moan
but her eyes house only light

I can see her turmoil turning
and to me
it seems
so right

she sees the world for what it is
and what it is
is what we are

damaged
undone by the years
subject
to the turning earth

but most do not accept it
most are blind and bare

but she
she sees her
brokenness
she sees her
despair

and to combat the encroaching vines
she makes the strongest sacrifice

weeping
red
blooming
blue
her skin is what enslaves
her to
the beast that lives within us all
the beast that she must force to fall
and break the glass that lines the walls

there’s beauty in her hopelessness
there’s art within her pain

she cannot cry
but that’s all right
for I
hear only
rain



again
she bends her neck
to vice
and I shake my head
for knowing

she walks on legs thick as trees
she talks like a hundred buzzing bees
she lives free from natural disease

yet

again
she bends her neck
to vice
you’d think at most just
once or twice
unhappiness breeds in humanity
minus, of course, the insanity

and

again
she bends her neck
to grief
claims
the bell jar is
the thief
that stole her life up on a shelf

but I know the ways of mystery
and here’s an illusion she can’t see

the only thief
is
herself

fragile flower
shadowy beast
mere words
that reach
for sympathy
that I would give
to a crippled man
a withered old woman
a dying lad

but she
she lives for sympathy
for sunlight
on her mangled weeds

and I
I won’t give sympathy
until she stands up and agrees
to build a bridge and break for land
for she can’t drown
in nothing but
sand
and to smash the glass
that she pretends
traps
torments her
to no end

there is an
end
she makes the
end

because everything else
is just
pretend


© 2015 Stellular Scribe

I Shall Take What is Mine — an original poem

I shall take what is mine
by the throne of the gods —
and how can you resist
when you’re at such odds?
You call it corruption,
I call it my right —
you taint it as tyranny,
I say it’s my might!

Come at me demon,
by ye desire or death —
dare strike me down,
dare steal my breath!
Come at me, corruption,
give wind to my wings —
and bow to your maker,
swear oath to your king!

For I know your weakness,
I’ve read your sign,
and by the throne of the gods
I shall take what is mine.

© 2015 Stellular Scribe

A Land Unbound — an original poem

A land unbound
shudders beneath the grandfather storm,
breathing, gasping,
choking
on tears that are its own.

A land unbound
drowned its voice in the first mighty flood,
now it nudges,
reaches, yearns
to find its departed sky.

A land unbound
cannot abide the feet of men that leave scars
twisting, burning,
breaching,
searing its uncharted skin.

A land unbound
is bound to be bound,
and I weep
for
knowing.

© 2015 Stellular Scribe

salt of the earth — an original poem

we’re
the salt of the earth
or whatever

at least

that’s what God says

salt from dust
dust from ashes
ashes from nothing
nothing from Him

i wonder
sitting in sand
with sea in my mouth

if i am salt

if i am savory enough

salt of the earth
to dust you will return
but not before
you stamp the ashes of your sin

i feel sick

if i am salt
then how do i
exist

without water
there is just
death

salt sucks life
but
then
worming between my toes
is the very marriage
of the two

oh
sweet contradiction
bitter is your truth
sour your tongue
but just salt in the end

we’re
the salt of the earth
or whatever

at least

that’s what God says